When I think of dedication, hard work—any and all attributes I aspire to as a writer, editor and publisher—I think of Richard Thomas. That maybe a lot of praise to place on Richard’s shoulders, but having seen his work ethic on display over the last half decade I can’t think of a harder working and talented individual. And the company he keeps is a testament to his dedication to the genre and the writers he has worked.
This month launched a very important Kickstarter, one that is both ambitious and necessary. Gamut Magazine promises to be a diverse online marketplace boasting professional rates and opportunities to be published alongside some of the industry’s top talents.
At this point the Gamut Kickstarter is closing the gap on its $52k goal with just over 2 days to go. Richard and I talked about Gamut, and why it is important for this Kickstart to succeed.
If you look up the meaning of gamut in the dictionary it is defined as the complete range or scope of something. What does gamut mean to you and what is its significance to your project?
When I think about the fiction that I like to write, the stories and novels I like to read, the authors I have published, it’s a wide range of fiction. But typically I am drawn to dark, tragic work, so as far as Gamut, we’ll be focusing on dark fiction, in all of its many flavors. Even with horror there is quiet horror, and splatterpunk, and psychological, and classic. It’s important to me that we broaden our scope, at Gamut. I’m looking for a wider range of stories and perspectives. We’re 60% women, for example, and have authors from all over the world. I love to see new mythologies, new cultures, and new histories. I like to be surprised, so don’t expect to see the same plots, the same creatures, the same tropes.
On the Gamut Kickstarter page you suggest that to understand the aesthetics of the magazine, one only needs to be familiar with your work as an editor and writer. For those not familiar with Richard Thomas tell us about your past works?
Well, I’ve written three novels, the last two for Random House Alibi, the Windy City Dark Mystery series. Disintegration is Falling Down meets Dexter, and Breaker is a mix of Leon: The Professional, Of Mice and Men, The Green Mile and To Kill a Mockingbird. I tend to write neo-noir, transgressive fiction. I also have three short story collections, the latest, Tribulations, out in March with Crystal Lake. My last big story placement was in Cemetery Dance magazine, and I have short fiction appearing in the anthologies Chiral Mad 3 and Gutted: Beautiful Horror Stories alongside Stephen King, Neil Gaiman, Clive Barker and Jack Ketchum.
As an editor, I’ve put together four anthologies—The New Black and Exigencies (the latter getting a story, “Wilderness” by Letitia Trent into the Best Horror of the Year anthology), both at Dark House Press; Burnt Tongues with Chuck Palahniuk and Dennis Widmyer, at Medallion (a finalist for the Bram Stoker award); and The Lineup: 20 Provocative Women Writers, at Black Lawrence Press.
As Editor-in-Chief at Dark House Press I’ve put out six books to date, two I’ve mentioned already, as well as Echo Lake by Letitia Trent; After the People Lights Have Gone Off by Stephen Graham Jones (Bram Stoker and Shirley Jackson award finalist); The Doors You Mark Are Your Own by Okla Elliott and Raul Clement; and Vile Men by Rebecca Jones-Howe. Out this year we have novels by Damien Angelica Walters and Steve Himmer.
So that really covers a wide range (a GAMUT!) of fiction including fantasy, science fiction, horror, crime, neo-noir, magical realism, transgressive, Southern gothic, and literary fiction.
That is definitely a GAMUT of fiction. Will Gamut just be a fiction magazine? Or will there be other opportunities to contribute?
We will have new fiction every week, and a reprint every week. I hope to also do flash fiction. As far as other work, yes, we’ll have columns—three are set up now for Keith Rawson, Max Booth and RK Arceneaux. We’ll also do non-fiction essays, poetry, and maybe even a Saturday Night Special serialization. And there will be original artwork with every story.
Once the campaign is done, do you plan on submission cycles or continuously open submissions?
Well, I’ve already got 40 authors involved, as far as solicitations. Not ALL will have original work for me, but most will. So let’s just say I have about 36 weeks set. That leaves the rest of the 2017 to fill out. So, yes, we will open up to submissions later in 2016. Most likely we’ll use the lower Submittable package, which caps at 300 submissions a month. That will include fiction, poetry, non-fiction, etc. That’s why I have three fiction editors and two poetry editors, to help with that. My fiction editors—Mercedes M. Yardley, Dino Parenti, and Casey Frechette will be my first readers. I’ll still solicit now and then, I’m sure. And people will probably approach me as well, but most work will come through the front door. Anything with three yes votes will be forwarded to me with a highlighted status. Two yes votes, also forwarded to me, but not as urgently. One yes vote is probably a rejection, unless the one yes vote is adamant that I see it, then I’ll take a look. Three no votes and I probably won’t even see it. I trust my editors, they understand my aesthetic, but ultimately it’ll be my call. If we feel that we’re getting too many stories to process in a timely manner, then we’ll close the door and maybe do every other month. Whatever we do, I’m excited to work with the authors I know, and stoked to discover new voices as well. I mean, I could take a weird western and then an edgy literary story and then a dark fantasy and then a gritty neo-noir. You never know.
Gamut isn’t the first magazine to vie for a successful Kickstarter. What sets Gamut apart from the others?
Well, first of all, we’ll pay ten cents a word, which is different. Very few places pay that rate, especially with speculative fiction. We’re also focusing on that sweet spot between genre and lit, that hybrid-blending, genre-bending fiction. We’re not going to have “issues” per se, just new content every week, hopefully, every day if we can raise enough funds. We’re including original art with every story, and we’ll also have columns, reprints, poetry, non-fiction and maybe even a serialization. We’re also looking into eBooks and digital downloads, interacting with local theaters to showcase films that fit the Gamut vibe, a Best of Gamut print anthology, and some other services and swag. Only time will tell.
Only time, which starts at the end of the Gamut Kickstarter at 11 pm March 1st.
Should the Kickstarter succeed, and with your help it is guaranteed to hit its $52,000 goal, the first issue will launch January 2017 with stories, columns and industry staples available all online for a small price of $60 a year after the current campaign is complete. It’s going to be a great magazine with tons of potential for writers and readers of neo-noir, crime, horror, transgressive and a multitude of sub-genres.